What with downloading and numerous ways to access music for free online, playing live is a musician’s bread and butter. But when you have horrible stage fright not to mention a notoriously bad memory for my own lyrics and guitar licks, facing an audience is a challenge. So I made it my goal this year to play more in public.
So, being an up and coming performing musician trying to overcome stage fright, I thought I’d try to hit every single open mic in a week. Pretty much every day of the week open mics provide an opportunity for up and coming musicians to test their live chops and get over stage fright and experienced musicians looking to play with and meet other musicians. They come out in force and there is a completely different crowd out to each open mic.
Sunday: My adventure started at the Sandman Inn with the very first open mic there at the lounge next to the Denny’s, Feb. 9.
Jon Vornbrock, who plays guitar with the Void and the Phantom Creeps started this up.
“It’s something to do on a Sunday. They were looking for someone to host the open mic and approached me,” Vornbrock said, who knew management through his day job.
He has also played at Henotic’s Wednesday open mic a few times as well as the Slice’s Tuesday open mic.
“(Open mics) are a little more relaxed. And you’re a little more free to play what you want,” he continued adding playing with a band is a little more structured. I played a pretty classical piece I wrote which I dug up for Henotic’s open mic the week before and try singing a couple others.
Monday: The 1010 Pub’s open mic this week is hosted by Taylor Ackerman and Ryan Dyck of Treeline. I played a couple of my own blues songs because Taylor offered to add some sweet pedal steel guitar to them. They went over well as well as a complicated folk song and another which which I try to play at this open mic, every time I play it. Paul Kype and Greg Gomola, who often host this open mic were there , though don’t play this time, along with Jenn Pellerin and some other talented performers. Performers usually get to play longer at the 1010 open mic partially because there aren’t as many performers as some of the other ones.
Ackerman likes the fact that open mics give musicians a chance to play other musicians.
“The appeal of them is if you’re an up and coming musician, it gives you a chance to play with other musicians. Plus you only need to know three or four songs. And the audiences are more forgiving,” said Ackerman, who also hosts open stages at the Slice periodically.
This is something I’m starting to notice. So far nobody seems to mind if you forget your song and start again and they applaud afterward.