You are here: Home Music Beat
  • Increase font size
  • Default font size
  • Decrease font size
Search

L.A. Beat

The News

Tyson Ray Borsboom and Kevin Giron add exotic flair

E-mail Print PDF

I love seeing local talent improve. Tyson Ray Borsboom gets better every time I see him. He had a more exotic flair with the addition of lead guitarist Kevin Giron at the Owl Acoustic lounge, Oct. 5, where they entertained a close to full house.

Tyson Ray Borsboom and Kevin Giron at the owl Acoustic Lounge, Oct. 5. Photo by Richard Amery
 I was sad to have missed  Calgary musician Kate Stevens, but caught the end of Borsboom’s set of up tempo folk and country.
 Giron  added exotic solos on his Stratocaster.


 Borsboom played some new songs which appealed to the enthusiastic audience. He was called back for an encore- an acoustic version of the Glorious Sons’ “Josie.”


 Borsboom will be opening for the Royal Foundry and Roman Clarke, Oct. 16 at the Slice.

— by Richard Amery, L.A. Beat Editor
Share
Last Updated ( Friday, 11 October 2019 20:55 )
 

Inclusion Fundraiser features good crowd for local talent

E-mail Print PDF

 Shaela Miller closed off a successful Inclusion Fundraiser in honour of Down Syndrome Awareness month at a packed Slice, Saturday, Oct. 5.

Shaela Miller playing the Inclusion Fundraiser at the Slice, Oct. 5. Photo by Richard Amery
The event was winding down by the time I arrived. I long missed  John Wort Hannam’s opening set and Shaela Miller’s first set.


 But she returned as the audience started to trickle away, but getting the band to vamp their way through Patsy Cline’s “Honky Tonk Merry Go Round, which was playing over the PA system as the band returned to the stage.


They Followed that up  with some Bob Wills’ “Stay a Little longer before Shaela dug deep into her back catalogue for the rest of the set.


 Lead guitarist Jon Martin settled into a more countrified groove for the show as he is usually playing rock and roll. Meanwhile drummer Tyler Bird and bassist Paul Holden locked in.


 Shaela dug deep for older songs including the always crowd pleasing “Vicious Bitches” and  the plaintive “I Don’t Have A Friend in You.”
 She also added a couple newer songs.

— by Richard Amery, L.A. Beat Editor
Share
Last Updated ( Friday, 11 October 2019 20:50 )
 

Emily Triggs plays superb show for Windy City Opry

E-mail Print PDF

The Windy City Opry returned to the Slice, Wednesday, Oct. 9.Emily Triggs playing the Windy City Opry, Oct. 9. Photo by Richard Amery
 I arrived at the end of Quebec born, Calgary based singer -songwriter Emily Triggs’s set.
She played an intimate set with just a lead guitarist. She sang heartfelt, captivating folk and country music while her guitarist Ben played tasteful guitar solos. She ended her set with an original, more traditional folk/roots song, which she sung in French, and which she  translated as “Leave Those Little Girls Alone.”


 She had a who’s who of the Lethbridge roots and folk scene in the audience who sat enraptured by her.

I wanted to hear an encore, but it wasn’t meant to be as she made way for Taylor Ackerman’s Global Acid Reset.
 I hadn’t heard them for a while and couldn’t stick around, but  I could tell from the first big blast of electrified blues, that it was going to be a great set.

— By Richard Amery, L.A. Beat Editor
Share
Last Updated ( Friday, 11 October 2019 20:22 )
 

Chron Goblin and Black Mastiff lay down heavy grooves

E-mail Print PDF

The Owl Acoustic Lounge was sold out for an outstanding, wall shaking night of stoner rock and alternative rock courtesy of Calgary’s Chron Goblin and Edmonton/ Vancouver trio Black Mastiff, Oct. 10.

 It is great to see sold out shows in the middle of the week, especially, when  they are ticketed events. The Owl doesn’t usually do ticketed shows, so it was an especially pleasant surprise. 

Black mastiff returned to rock the Owl, Oct. 10. Photo by Richard Amery
 Both band have new albums out and played lots of music from them for an enthusiastic audience clustered in front of the stage.
 I missed opening act FaceCut, but arrived in time to catch about half of Chron Goblin’s set.


 They played a tight set of heavy, punk tinged set of rock that came right out of the mid ’70s. They had plenty of huge guitar riffs and a massive bass groove.


 They sounded like a mix of Teenage Bottle Rocket, Budgie and Mountain.
 They ended their set with a heavier, more psychedelic number, which featured lots of groove and a hot guitar solo.Chron Goblin performing at the Owl Acoustic Lounge, Oct. 10. Photo by Richard Amery


 Black mastiff channelled Mountain even more than Chron Goblin, but also referenced more modern influences like Queens of the Stone Age, and ’90s alternative rock  like Finger Eleven.


 They had wah wah pedal drenched riffs and delay soaked solos, plenty of groove and played another phenomenal show.

— by Richard Amery, L.A. Beat Editor
Share
Last Updated ( Friday, 11 October 2019 18:33 )
 

Jimmy Rankin leads sold out audience down memory lane

E-mail Print PDF

Jimmy Rankin of the Rankin Family renown played two sold out shows at the Geomatic Attic, Oct. 9 and 10 in the middle of their Route 19 tour.

Jimmy Rankin playing the Geomatic Attic, Oct. 10 Photo by Richard Amery
 I only caught part of the Oct. 10 show in the sweltering Attic. I missed Mariel Buckley‘s opening set. But I enjoyed Jimmy Rankin and multi-instrumentalist Jamie Robinson, who took an enthusiastic audience on a journey down  memory lane. Rankin explained most of his songs were inspired by small towns on Route 19, the primary road across Cape Breton.

The duo began their set on acoustic guitars and started slowly with a pair of tenderly beautiful songs about snow and the north country painting vivid word pictures.


 He played several tracks of his latest CD “Movin’ East,” including one of my favourites, the upbeat country foot stomper “Been Away.”
 He had the audience singing along, clapping and interacting from the first note of his set.


 He chatted about growing up with his siblings in Mabou, Nova Scotia, forming the Rankin family and borrowing from his eldest sister in L.A. to fund their first cassette in 1989 , putting their mom’s address as the contact info, getting her to field phone calls, and then selling it to gas stations and grocery stores all over  Nova Scotia before they caught on with the rest of Canada, then played one of their earliest hits “Orangedale Whistle,” which Rankin noted lead to a lot of people traveling to Orangedale to see the train station in the song.
 Jamie Robinson switched to electric guitar to play a couple tasteful, Northern Pikes sounding solos and  picked up an electric mandolin for the more Celtic numbers.
 Rankin played a couple beautiful harmonica solos.


 He told the story behind a new song “Thin Ice,” prefacing it with the story  a time when people used to visit each other and  have tea, then of the  the main character John Dee, who always wore a black suit and  drowned   while walking in thin ice to get his hat which the wind blew onto the river.


 Rankin delved back into his solo catalogue and played an upbeat country song “Back Road Paradise.”


He prefaced that by talking about living in Nashville and deciding to move back home once his kids started talking with a southern accent and actually making the move after Donald Trump won the 2016 election, which drew cheers.


That song showed off Rankin’s lovely lilting tenor voice and allowed Jamie Robinson to lay down another face melting mandolin solo.
 He recorded the new album with Joel Plaskett and talked a little about that experience before playing another new song.


 I left during the rousing “Moving On,” as I didn’t want to miss Chron Goblin and Black Mastiff at the Owl Acoustic Lounge.

— By Richard Amery, L.A. Beat Editor
Share
Last Updated ( Friday, 11 October 2019 18:35 )
 
Page 17 of 966
The ONLY Gig Guide that matters

Departments

Music Beat

ART ATTACK
Lights. Camera. Action.
Inside L.A. Inside

CD Reviews





Banner
Banner
Banner
Banner
Banner


Music Beat News

Art Beat News

Drama Beat News

Museum Beat News