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Frankenfest to get Creepy Hollows into Halloween spirit early

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Get into the Halloween spirit early at Creepy Hollows outside of Warner.

 

Eleven local bands play the first Frankenfest  beginning at 1 p.m.  and going until late.

 

“I’ve spent the last four years building  this new stage. It’s not quite done but this will be our first concert on it. It’s a pipe dream come true,” said Richard Reimer of Creepy Hollows, noting there are nine bands performing beginning with Chis Drew at 1 p.m. and ending with local Misfits tribute 138 at 12:45 a.m.


Local Misfits tribute 138 will wind up Frankenfest, Sept. 11. photo by Richard Amery


There will be two food trucks and a store for patrons to get things not available at the food trucks.

But there will be no beer gardens.

 

“ That’s something we’ll work on for next year.  We were on a tight deadline this year,” he continued, adding he is proud of the stage itself.

 

“It’s  32 feel long and 38 feet deep and a 12 foot ceiling, so there’s lots of room, he enthused, adding Creepy Hollows hopes to host live music three or four times a year. He plans to make Frankenfest an annual event.

“That’s the plan,” he said.

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Last Updated ( Friday, 10 September 2021 12:26 ) Read more...
 

B.A. Johnston brings the laughs back to Lethbridge

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In a world that seems like it’s going to hell in a handbasket more every day, we need a little more B.A Johnston.

 

B.A. JOHNSTON TAKES A FLYING LEAP AT THE OWL ACOUSTIC LOUNGE, SEPT. 7. PHOTO BY RICHARD AMERY

 The Hamilton based musician and funnyman returned  to the Owl Acoustic Lounge, Sept. 7 for an enthusiastic and mostly masked Tuesday night crowd.

 

 He pretty much plays the same show every time including cracking the same self deprecating jokes and jokes about Medicine Hat to open his set.  

 

“This is going to be the longest 40 minutes of your life,” he cackled.

B.A. Johnston is a guaranteed good time, especially now, when people really need a laugh, even if you have seen it before.

 

 It is always a hoot to see him strip off identical sweatshirts and see him jumping off chairs wielding a baton, until he was shirtless and only wearing spandex with ’80s bulge.

 His manic energy was contageous as he dashed around the room like a crazed clurichaun.

 

 He had the audiences singing along with old favourites  “GST Cheques (Give Me Some Treats)” and  “Deep Fryer in my Bedroom,” and had people grinning with new favourites like “ We’re All Going to Jail (Except for Pete, He’s Gonna Die) about seeing Van Halen while on drugs.

 

 He played a couple from that CD “ The Skid is Hot Tonight.” I thought I recognized “ I Miss ’90s Hash.”

 

As usual he cursed his keyboard while trying to play it with his nose on another song.

 

He also played an older one I didn’t know called “Old And Lame” and another from “Shit Sucks,” the same 2015 album “I Don’t Want to Go To The No Frills” which was one of several of his food themed favourites which he blasted out including crowd Ha Favourite “How Many T Bone Steaks Can I Fit in my Pants.”

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Last Updated ( Wednesday, 08 September 2021 15:03 ) Read more...
 

King Bull blend the Who and the Strokes for fun night of rock and roll

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With alcohol sales now having to cease by 10 p.m., shows are starting to start early.

 

King Bull returned to the Slice, Sept. 4. Photo by Richard Amery

 So I only caught the very end of Red Deer rockers King Bull’s set at the Slice, Saturday, Sept. 4.

 

 They were all dressed in leather jackets and sunglasses, doing their best Strokes impression.

 

 They played upbeat, energetic rock and roll garage rock and punk music. They had a lot of energy and adenoidal vocals.

 

 They were called back for an encore of an intense, super fast version of the Who’s “Baba O’ Riley.”

— By Richard Amery, L.A. Beat Editor


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Last Updated ( Wednesday, 08 September 2021 14:30 )
 

Hippodrome a highlight of second last Arts in the park

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The weather was beautiful for the second last Arts in the park presentation, which was in Nicholas Sheran park, Sept. 4 and 5.

 The Sept. 4 show was all about having fun in the sun.

Hippodrome trombonist Sarah Marie Burger at Arts in the Park, Sept. 4. Photo by Richard Amery

 I caught a few songs from Celtic Routes, who played a great version of “Heave Away” as well as several other traditional Irish and Scottish ballads.

 

 Bryan Bradfield was in a Leo Kottke and John Fahey mood, as he played his dobro and told a few stories behind the music.

 

The big attraction was Hippodrome, who were hoping people would “Dance to the Music.”

 

 But it was too hot to dance.

 The band, sans Juran Greene, who had another comittment, smiled their way through a variety of R and B and disco hits from the ’60s and ’70s.

 

 The band got to show their chops while Erica Hunt and Karen Romolliwa took turns singing lead vocals.

 

“Standing on Shaky Ground” and “Hold On I’m Coming” were immediate highlights.

 

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Last Updated ( Wednesday, 08 September 2021 14:21 ) Read more...
 

Lo fi fun at Owl with Slut Prophet and Body Lens

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 It’s nice to have the Owl and Slice so close together, to run between both in between set breaks.

Slut Prophet at the Owl Acoustic Lounge, Sept. 3. Photo by Richard Amery

Calgary’s Slut Prophet returned to Lethbridge to play the Owl Acoustic Lounge, Friday, Sept. 3.

 

 They played upbeat, lo fi raw garage rock. They also added an energetic cover of the Kinks’ “All Day and All of the Night.”

 

They also tried out a couple new songs on a receptive audience. The Lead singer asked the audience to  let her know what they thought of the new songs she switched back to keyboard from guitar.

 

 I missed most of Body Lens’ set because the changeover was faster than I expected.

 

Their last two songs were played experimental, intense more ’80s new wave, groove inspired indie rock which

echoed Devo.

 

Body Lens at the Owl Acoustic Lounge, Sept. 3. Photo by Richard Amery

Rhinestone NDN, or Dan Auger of Calgary noise rockers Dri Hiev op

ened the set with electronica music.

He crouched over his synthesizer, squeezing out

 weird sounds and pulsating bass lines.

— By Richard Amery, L.A. Beat Editor

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Last Updated ( Wednesday, 08 September 2021 14:02 )
 
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