You are here: Home Music Beat
  • Increase font size
  • Default font size
  • Decrease font size

L.A. Beat

The News

Peter and the Wolves rock an extended Windy City Opry

E-mail Print PDF

I couldn’t make it to Coaldale for Calgary rockabilly trio Peter and the Wolves on the weekend, but thankfully they returned to the Slice for a late announced Windy City Opry show at the Slice, Wednesday, March 14.Peter Cormier from Peter and the Wolves does his best Jerry Lee Lewis impression on piano at the Windy City Opry, March 14 at the Slice. photo by Richard Amery

I usually miss most of it due to being on the air, but this time they played an entire second set and outlasted promoter Shaela Miller, whose band opened the show and who had to leave to take care of her kids and even me.
 They always put on a great show for people who like rockabilly and ’50s rock and roll.

 Frontman Peter Cormier ended the first set by playing guitar behind his head and duckwalking across the stage for an audience full of swing dancers and people raucously applauding, before  ending the set with blues chestnut “St. James Infirmary.”Shalea Miller joins Peter and the Wolves, March 14. Photo by Richard Amery

 After a break, many of the audience had trickled away however Cormier began the second set by channelling Jerry Lee Lewis on piano.

 He played a variety of new music including “Sundae Monday blues”  from a new CD  due out  April 21 as well as rock and roll classics from the likes of Ray Charles and , of course, Jerry Lee Lewis.

“Girl Can’t Help it”  and “Jailbird Josephine” were highlights as was “Veronica.”
Shaela Miller joined them on stage for “Jackson” and another song.

— By Richard Amery, L.a. beat Editor
Last Updated ( Wednesday, 21 March 2018 13:37 )

Ashley Hundred and Crooked Spies entertain with ambient rock and ’70s riffs

E-mail Print PDF

Calgary indie rock band The Ashley Hundred are always an entertaining act to see, so it was great to see them back at the Slice, Saturday, March 10.

The Crooked Spies entertained  the Slice, March 10. Photo by Richard Amery
 They played appealing ambient indie rock with banjo and keyboards adding extra layers of sound. I only caught the very end of their set of music drenched in delay and chorus laden guitars plus ghostly vocals. Though they added a few interesting harmonized guitar.

They had approximately 50 -60  people listening.

 Fellow Calgarians Crooked Spies almost stole the show.

They played straight ahead rock and roll with big riffs, an even bigger beat and vocals reminiscent of Bachman Turner Overdrive with a touch of ”90s alternative rock. So they sounded like a mix of BTO meeting Spacehog.

 The Utilities played another strong set of music mostly from their new CD.

— By Richard Amery, L.A. Beat EditorThe Ashley Hundred returned to Lethbridge, march 10. Photo by Richard Amery
Last Updated ( Wednesday, 21 March 2018 13:19 )

J Blissette releases new CD to enthusiastic audience

E-mail Print PDF

There was a good sized audience out for local alternative rock band J Blissette’s CD release party at the Owl Acoustic Lounge, March 10.J Blissette releasing their new CD at the Owl Acoustic Lounge. Photo by Richard Amery
I arrived at the end of an energetic set from Slut Prophet.

 They sounded like a mix of alternative rock and jazz music as the lead singer screaming her head off over a backing band of noisy keyboards and a tight rhythm section playing experimental almost jazzy bass and drums.

J Blissette, who were releasing their new CD “Until I Go Blind” , featured Matthew Rederburg back on drums, joining Cory Fischer on guitar, bassist Arnaud Sparks and frontman Jackson Tiefenbach

They began their set with short bursts of punk fuelled energy before settling into a slightly more sedate experimental garage rock groove.

—By Richard Amery, L.A. Beat EditorSlut Phophet at the Owl Acoustic Lounge, March 10. photo by Richard Amery
Last Updated ( Wednesday, 21 March 2018 12:54 )

Sean Burns brings back classic country sounds

E-mail Print PDF

Winnipeg country musician Sean Burns returned to the Slice in fine form with hot band in hand, Friday, March 9 in support of his new aptly named CD “Lost Country: Music For Taverns, Bars and Honky Tonks.

Sean Burns performing at the Slice,March 9. photo By Richard Amery
 But up first, Brooks born, Calgary based bluegrass/ roots trio the Wine Soaked Preachers tore things up country style with plenty of hot picking from frontman Jay B, upright bassist Miles C and drummer Mark A, all dressed in bright red cowboy shirts.

 They played an assortment of original music and country classics like Johnny Cash’s “ I’ve been Everywhere.” All three sang superb vocal harmonies together.

The Wine Soaked Preachers opening for San Burns at the Slice, March 9. Photo by Richard Amery
They played a couple brand new songs including “Green River,” which was definitely not the CCR song of the same name.

 Burns and his band including Corb Lund guitarist Grant Siemens, bassist Bern Thiessen, Drummer Joanna miller drummer and Lethbridge Ryan “Skinny” Dyck on steel guitar played a spirited set of twangy country music focusing on songs from the new album.

 Burns sounded like Ron Tabak of Prism singing ’70s style country music.

One of many highlights was “Don’t Let the Highway Get You Lost.”
In addition to originals they also played credible covers of country classics like “Swinging doors.”

— by Richard Amery, L.A. beat Editor
Last Updated ( Wednesday, 21 March 2018 12:37 )

Tiger Moon show off mandolin powered covers

E-mail Print PDF

Okanagan folk band Tiger Moon were having a blast at the Owl Acoustic Lounge, March 9. I arrived in the middle of a hot set powered by the massive voice aTiger Moon’s Kasey Graff and Dan Tait at the Owl Acoustic lounge. Photo by Richard Amerynd substantial mandolin chops of Kasey Graff, alternating vocals with guitarist Dan Tait . They were backed by a bassist Joshua Smith and  drummer Dylan Logan Ranney to provide a big sound.

 They played several originals and a solid tribute to the Tragically Hip of “Bobacageon” as Tait observed he “was gutted” by the news of Tragically Hip frontman Gord Downey.

They also added a solid version of John Prine’s “In Spite of Ourselves.”

They played a fine set of upbeat roots and country music with that excellent mandolin playing which would be an ideal fit for the South country Fair.

“ So if you know anyone  from South Country Fair, please let them know about us,“ Tait said.
They finished their set with a cover of the Waterboys “Fisherman’s blues.”

— By Richard Amery, L.A. Beat Editor
Last Updated ( Wednesday, 21 March 2018 12:26 )
Page 9 of 840
The ONLY Gig Guide that matters


Music Beat

Lights. Camera. Action.
Inside L.A. Inside

CD Reviews


Music Beat News

Art Beat News

Drama Beat News

Museum Beat News