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Schomberg Fair connect blues and punk

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Bassist Nathan Sidon, guitarist/banjo player Matt Bahen and drummer Pete Garthside connect the dots between 1920s blues and gospel and more modern influences like punk music to make the unique sound of their band Schomberg Fair which hits Henotic, Nov. 18.Schomberg Fair
“When we started the band , our main songwriter Matt was really into pre-war blues and gospel happening and Appalacian music and I’m really into punk music,” Sidon said.
“With gospel and blues music, there’s a strong connection to punk music. Gospel and blues was the precursor to rock and roll. I listen to a lot of Charlie Patton and Robert Johnson and those guys were partiers. Their lyrics reflected the lives they were living. And Robert Johnson’s lyrics are a lot heavier than a lot of punk rock,” Sidon continued, adding he got into  old blues after looking to  what classic rockers like Led Zeppelin and Black Sabbath listened to.
Last Updated ( Thursday, 19 November 2009 01:10 ) Read more...

The Pack AD show duos how to do it

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The Pack A.D showed a pack of duos how to do a duo right, Monday (Nov. 10) at Henotic.Becky Black and Maya Miller of the Pack AD. Photo By Richard Amery
Not that that’s a dis on any of them but Vancouver’s favourite garage rock/blues influenced  duo showed several local duos how it’s done.
 I missed Austria but caught the end of Amelia Earhart’s loud and energetic set of bass and drums powered rock. Drummer James Stewart sang superbly while bassist  Ryan Grieve played some intricate fuzzed out, ear blistering bass lines.
Smoke Stack Jacks were fun as always with deadly detuned slide guitar from Dave Bullied and thunderous drumming from Geoff McDonald got the crowd of about 100 warmed up
 But the PaAck AD, on the third  last date of an endless tour, took things to a whole different level.
 Guitarist Becky Black bounded all over the stage, black hair flying everywhere, while singing like Janis Jopin’s ghost was possessing her soul as she played some gnarly leads and rhythms.
 the Pack AD had the crowd bopping. Photo By Richard AmeryDrummer Maya Miller pounded the skins like her kit had done her a wrong. Together they played in perfect synch like an eight limbed  blues rocking beast, sharing a single brain, kicking  some ass, taking names and out for blood. The band had IT and the crowd knew it as they bounced in front of the stage and danced on tables. Maya and Becky spoke briefly to the crowd, only to speak of the tour and  introduce some “brand spanking new” songs.
 They were excellent.
— By Richard Amery L.A. Beat Editor

Jungle night brings out a wild crowd for Said the Whale

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It was jungle night at Henotic, Nov. 7, as a sold out room full of costumed jungle critters, explorers and Said the Whale put on an impressive show at Henotic, Nov. 7. Photo By Richard Ameryother odd characters took in three bands performing including Montreal rap/hip hop group Velvet Trench Vibes who had the jungle a jumping in the GCBC Lounge to rap backed by live bass, keyboards and  drums.
 Vancouver indie pop band Said the Whale were the main attraction on  the main floor though as they worked through much of their CDs. They also invited opening act Hannah Georgas on stage to sing back up for a song. Throughout theyJungle people at Henotic. Photo by Richard Amery had everybody  jumping and swarming about the dance floor. Said the Whale played tight with a lot of energy and a crisp and clear mix  so the audience could hear every note of guitar, piano and  beautiful vocal harmony being performed. Their music was catchy and energetic and pure unadulterated fun.

— By Richard Amery, L.A Beat Editor
Last Updated ( Thursday, 13 May 2010 11:47 )

Incura unplugged— almost

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Incura and Jesse and the Dandelions finished three straight days of gigs all over the city, Nov. 7 at the Slice.
 Jesse and the Dandelions have just released their debut EP. While I only caught their last song, an energetic pop rock number, they were called back for an encore of “Blister in the Sun.”.Incura vocalist Kyle Gruninger. Photo By Richard Amery
Incura was the main event of the night  which had an almost full house cheering for an “unplugged” set. They weren’t unplugged, just turned down slightly, but which really worked for the Lethbridge born band who are now  based out of Vancouver.
The piano played a more prevalent part of the band’s dark, almost gothic sound and you could actually hear what  singer Kyle Gruninger was singing. There appeared to be some interesting guitar work  happening but I couldn’t hear a note,  because it was drowned out by powerful bass and drums.
But Gruninger has an impressive melodic tenor voice and stage presence to boot which was apparent in the show.

— By Richard Amery, L.A. Beat Editor


DeSouza glad to be back

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It’s good to be back for Lethbridge born musician Marq DeSouza  who played an intimate gig in the GCBC Lounge, Monday, Nov. 9. A light but loud crowd enjoyed it as DeSouza began with a nice set of Marq DeSouza and Shane Love entertained. Photo By Richard Ameryacoustic  music  of more country flavoured, Elliot Brood styled original which included quite a few  numbers from his newly re-released debut solo CD, “Temporary Redemption” including “Don’t Go Shooting Horses.” as well as new tracks like “Bar for the Broken Hearted” and “Solitaire Bound,” from his new CD “... And All His Boyish Charms.” The title is an apt description for the affable performer, who pretty much individually  thanked all of the dozen or so  in the audience for showing up to support him.
 He brought his friend Shane Love on stage to take up bass  for a more country flavoured set, then  drums for a more rock and blues flavoured set, which showed how diverse of a songwriter DeSouza is.
He brought another friend, Jeff Stuckey, on stage  to play a guitar solo for  the blues flavoured “Bulletproof.” Then he got  Love to sing one of the highlights  from the new CD, “Who’s Better Than Us,” not to mention do a freestyle rap on it which was a pretty cool  way to end an all too brief hour long set. But the crowd called him back for an encore, which brought the evening to a pleasant close.
—By Richard Amery L.A. Beat Editor
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