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Marc Ross playing upbeat pop

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 Marc Ross playing a laid back set. photo by Richard AmeryThe Owl had a decent sized crowd for Marc Ross, Sept. 9. Ross and a guitar player  worked their way through a set of ’60s tinged set of upbeat folk pop.

I arrived in the middle of a pretty inspirational  cover of “Praise You.” 

Throughout, Ross sang pleasant melodies and the duo did some excellent playing together.

— By Richard Amery, L.A.Beat Editor
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Warm reception for Whispers opening

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The Janni Lee band auditioning at Whispers. Photo By Richard AmeryWhispers had a unexpectedly good turnout  for their soft opening, Sept. 9 in the former Tongue n Groove building.


 They were auditioning bands on the first night, so I hung out for the Janni Lee Band, which included Pat Ackerman on bass and drummer Raz.


They played a solid set of soulful blues music including reworked blues classics like  “Hoochie Coochie Girl,” and a solid version of “The Thrill is Gone.” Janni Lee displayed an impressive set of pipes, belting out the blues, but  still held the sound down to a “whisper.”


 The band was tight with tasteful guitar solos and a solid beat.


 The venue itself hasn’t changed much though the walls look a little bare without the art. The stage is still impressive, though the curtains have been removed, leaving a big blank white screen and they still have a great sound and light systems.

 — By Richard Amery, L.A. Beat Editor
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Fine fiddling from Delhi 2 Dublin keeps the party going

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 I have to admit, last time, when Vancouver’s “United Nations of music,” Delhi 2 Dublin played the Slice with the Boogie Patrol opening , Delhi 2 Dublin got the party started, Sept. 8. Photo By Richard AmeryI thought the Boogie Patrol blew them off the stage, so I only stayed for a few songs, thinking it couldn’t get any better.

And that’s saying something considering Delhi 2 Dublin were well on the way to tearing the roof off the place.


 This time, I was glad I stuck it out until the end, Sept. 8, at Average Joes, where Delhi 2 Dublin had the stage to themselves with new fiddle player Sara Fitzpatrick.

And while there were a few grumbles about the show not starting until 11 p.m., they were quickly forgiven, in no small part to Fitzpatrick, who, face rapt in concentration, was a blur of flying curly brown hair and frenetic fiddling, bouncing all over the stage.


Delhi 2 Dublin’s Sara Fitzpatrick conducts the crowd. Photo by Richard Amery The band was solid, playing a stunning smorgasbord of entertaining and hypnotic dance music combining the best of Celtic and Punjabi music with non-stop dance beats, electric sitar, fiddle, guitar, a lot of percussion, computer rhythms and bass, and R and B melodies.

And while the vocals sounded fairly similar throughout, it didn’t stop most of the 130 people at the show from crowding onto the dance floor, moving to the rhythm and jumping at the exhortation of singer Sanjay Seran, who had  the Top 40 R and B sound nailed.

They played most of their CD “Planet Electric” and then some in a show that went until just past 12:30 in the morning.

— By Richard Amery, L.A. Beat Editor
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Country fun with Andrew Neville and the Poor Choices

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 If you like country music — real authentic country music about drinking and truck driving and farming and drinking you should have Andrew Neville and the Poor Choices. Photo by Richard Amerybeen at Andrew Neville and the Poor Choices, at the Slice, Sept. 8.


 But first,  The Shaela Miler Threesome, with special guest, former D-Rangers  and current Poor Choices bassist Tom, ‘Twisty’  Fodey took the stage to play crowd favourites including “Loving Me,”  “ Half Way in Love,” and whole bunch of excellent new, heavily old school country influenced songs.


 One of my favourite new songs “Problems” had a Trisha Yearwood sound  to it.

 Andrew Neville added a lot more twang to the evening with his upbeat, country-fried set of original music about trucking, alcohol, Winnipeg and having a good time with all of those.


 He also played several covers from  Waylon Jennings and Jimmy Rogers and other old school country players as well as an outstanding version of Stompin’ Tom Connors’ “Sudbury Saturday Night.”
 One of several  highlights was his “Town Song.”
 Another great one, just in time for harvest season,  was  “Farming Life.”

 His band, including Taylor Ackerman on lead guitar were fantastic.

— By Richard Amery, L.A. Beat Editor
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Wildlife barnstorming before Lethbridge show

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Wildlife are used to playing unusual tours.Wildlife are coming to Lethbridge. Photo submitted


“We just  got back from the States, the Barnstormer tour where all of the shows were in barns in rural areas,” observed Wildlife singer/ guitarist Dean Povinsky.
 Wildlife will be joining Young Rival and Hollerado on Hollerado’s meet the mayors tour, which brings them to Average Joes, Sept. 19.


“We were playing in barns and it was one of the coolest experiences ever. They are different structures and are suited for  music,” he said.


They were sharing stages with bands  like White Rabbits, Hundred Visions, Blood Range, Deer Tick, Princeton and Hacienda and fellow Torontonian Doug Paisley.

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