You are here: Home Music Beat CD Reviews
  • Increase font size
  • Default font size
  • Decrease font size
Search

L.A. Beat

CD Reviews

Perpetrators back to Stick Em’ Up with the blues

E-mail Print

The long awaited new CD from Winnipeg blues rockers the Perpetrators is finally here. It is exactly what you'd expect — guitarist/ vocalist Jay Nowicki playing Hound Dog Taylor style blues rock with a rotating cast of players including original Perpetrators Ken McMahon and Ryan Menard on drums and bass on about half of the tracks, current touring bassist John Scoles on four tracks and Ryan Voth and David Landreth on drums and bass respectively for a couple more tracks.Click Here to hear the Perpetrators


Special guest Romi Mayes adds backup vocals on a couple of other tracks. But no matter the line up it still sounds like the Perpetrators, which is a good thing.
 Nowicki has a very distinctive guitar sound and a voice which doesn’t sound like anybody else.


 The CD starts with the countryish ‘Sweetgrass’ which sounds a lot like JOSCO, their ode to Times Changed owned John Scoles and they take off from there.
The catchy ‘Spend More Money’ stands out  and puts you in the mood to groove.


 They also revisit a few of the songs from Nowicki and McMahon’s side project K-Mac and Howik’s Punk Blues Explosion by adding a strong bottom end to ‘Smokes N’ Chicken,’ which is  the sequel to the popular Perps’ song ‘Six Pack’ about being mugged for beer,  ‘ but this time is about being mugged for smokes tracks and chicken. It adds a little humour as the underaged muggers can’t drive a stick shift.  ‘Shake It’ and ‘Bad Man’ also get more polished on the new Perpetrators’ CD.


 ‘Smokes N’ Chicken’ has been trimmed down to an almost six minute blues jam featuring some sinister slide guitar. I think the version on  K-MAc and Howik’s Punk blues Explosion lasted a about eight minutes.

The catchy ‘Trying To Keep My Cool,’ is another longer song which has an unstoppable, toe tapping groove and tasteful yet gritty guitar solo and chorus which will have you singing along.
 They slow things down on a couple of groovy tracks including  ‘You’ve Got to to Tell Me’ and  ‘I Must Be Crazy.’


‘Who’s It Gonna Be is another countryish song  that sounds similar  to Sweetgrass.’
‘Shake It’ benefits from Menard’s throbbing bass as does ‘Bad Man.’ .
They end on a high note with the menacing ‘Take You On.’

— By Richard Amery, L.A. Beat Editor
CD: Stick ’Em Up
Band: The Perpetrators
Genre: blues

Share
 

Jesse and the Dandelions back with another slice of appealing pop rock

E-mail Print

People love Jesse and the Dandelions. Their second CD “Mutual Understanding” has been embraced by media across the country and is starting to make waves on the radio. People love the cheerfulClick here to hear Jesse and the Dandelions melodies and ambient guitars that a lot of Vancouver based bands like Said the Whale have made their own as of late.


 If you have seen Jesse Northey play, chances are you have heard these songs as many of them have made their way into Jesse and the Dandelions sets over the past year.


 The Cd starts with the cheery “Looking at the Sun.”
They continue on the upbeat note with “Only Just Be Friends.”
 Northey has an excellent, innocent, appealing tenor voice which has an ’80s pop Pet Shop Boys style feel.


Clean, catchy guitar hooks abound throughout this CD.
 There are touches of ’80s pop and elements of the Beatles.


All together it just makes you want to smile.
“Break Me” is an appealing, haunting song as is “Mistakes Often Haunted.”
 But even when Northey  is singing something sad and mournful, it still comes out sounding pretty happy.
 “ If you’ve got the Moves,” has a mellow psychedelic ’60s mood to it as s does ‘Sure Thing.”’
 They end the CD with the opposite of the opening track— “Looking at the Moon,” which is a slower, sadder number with a catchy, pop edged guitar riff and some harmonized vocal harmonies.

— by Richard Amery, L.A. Beat Editor
CD: A Mutual Understanding
Band: Jesse and the Dandelions
Genre: indie pop
Share
 

Leeroy Stagger back with more rock on Truth be Sold

E-mail Print

Leeroy Stagger is back with his umpteenth CD of roots rock and country music “ The Truth Be Sold.”
 It is another solid effort beginning with the Neil Young and Crazy Horse tinged  opening track ‘Memo.”Click here to hear Leeroy Stagger
He  has an equal balance of Cross Canadian Ragweed style country rockers like “Mister” and tender ballads plus more political rockers like ‘Cities on Fire’ thrown in for good measure.
“Goodnight Berlin,” is an upbeat rocker which is reminiscent of ‘Dirty Windshields,’ a highlight from Staggers’s last  CD “Little Victories material which examines the theme of travelling.
 He slows thing down with “Celebrity.”
 The quiet moment is short lived as  the next track ‘Cities On Fire,’ is pretty heavily influenced by grunge music and a lot more Crazy Horse.
 And for a complete contrast to that, it is followed by a straight ahead country song “Break My Heart,” which draws the listener in with some crying steel guitar.


“He picks thing up a little after that with the exceptional ESP which is the story of  one of his other musical projects Easton, Stagger and Phillips and the experiences touring with them.


After a couple more slower songs, Stagger picks up the tempo again with one of the CD’s standout tracks “Mister,” which is very much reminiscent of a Cross Canadian Ragweed song, about an underemployed hardware store employee and single dad.
 In a similar theme, “Have A Heart,” is another upbeat rocker.
 Stagger ends on another slower note with “Jackie,” a mournful ode of lost love.

— By Richard Amery, L.A Beat Editor
CD: Truth is Sold
 Musician: Leeroy Stagger
 Genre: alt-country/ rock
 Record Label: Rebeltone Records

Share
 

Daddy Longlegs play harp powered gritty, dirty blues

E-mail Print

If you like gritty blues, check out Waterloo based blues/ rock quintet Daddy Longlegs’ new fifth CD “ The Devil’s In The Details.” They are not to be confused with the Brooklyn based blues rock trio of the same name, though both are powered by lots of harp.
The Canadian Daddy Longlegs kicks off their CD with the title track and some hot harp playing and a dirty  guitar riff, which comes right out of  a dirty old juke joint somewhere along the old Mississippi.
 FClick here to hear Daddy Longlegsrontman Daddy Longlegs is the star of this show. His harp and huge voice are front and centre, and I can’t get enough of that rhythm.


 Frontman Chris “Junior” Malleck’s sound is reminiscent of  not only blues legends like Junior Wells, but contemporary icons like Paul Reddick.
 There are a lot of songs about the working poor and drinking and celebrating life.
“Borrowed Time” is a highlight about being poor.


““40 Hour Week” is one of several excellent,  George Thorogood tinged songs about drinking.
They slow things down a little bit on “Easy For Me.”
 Things get a little more rocking and alcohol soaked on “Get Drunk and Be Someone,” which has a classic rock and roll feel with an unstoppable rhythm.


Malleck plays a beautifully soulful   harp solo on the slower “ You Wonder.”
 Mike Elliott”s  guitar comes to the forefront on “The One,” with a big classic rock  riff which wouldn’t be out of place  being blasted at extreme volumes on some arena stage back in the ’70s.
 They get back to the basics on Colin James style blues rocker “Half Pint” on which the guitar, the harp  and the rhythm all come together beautifully.
 They end the CD by visiting  the Delta on the mournful acoustic blues number ‘Dug My Own Grave.’

 — By Richard Amery,L.A. Beat Editor
CD: The Devil’s In The Details
Band: Daddy Longlegs
Genre: blues

Share
 
Page 13 of 72
The ONLY Gig Guide that matters

Departments

Music Beat

ART ATTACK
Lights. Camera. Action.
Inside L.A. Inside

CD Reviews





Banner
Banner
Banner
Banner
Banner


Music Beat News

Art Beat News

Drama Beat News

Museum Beat News