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Dilemma film premiere features Dean Selena

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Dean Selena had an excellent set  of music to open up the premiere of local writer/ director Gianna Isabella’s new film “Dilemma,” Nov. 5 at Average Joe’s.

They played a tight set of Radiohead tinged ambient rock originals with plenty of  energizing drumming and groovy bass.Dean Selena playing  the Dilemma film premiere, Nov. 5 at Average Joes. Photo by Richard Amery

 The film itself, which was partially filmed at Average Joes, is a gripping 15 minute short about a British girl  “Abby” who feels a little lost in her life and visits her cousin in Lethbridge,  where she ends up getting into a fatal altercation at a local bar where she ends up accidentally killing a man.

There isn’t a lot of dialogue in the film as Isabella prefers to let the filmography  and the acGianna Isabella and some of her crew address the crowd at the premiere of Dilemma. Photo by Richard Amerytors’ facial expressions, especially Camille Pavlenko, who plays Abby,  tell the story, along with  Abby’s thoughts and observations of life inside her head.

The crowded, sweaty club scene sets the mood and the tone for the drama to unfold outside.

I don’t know what to make of the murder scene, there is a punch and the victim looks surprisingly peaceful as he hits the ground. 

 She has to decide to stay or go and decides to go, ending with the line — “My mother always told me to tell the truth — but what would you do?” It is a pretty scary and moving“dilemma.”

— By Richard Amery, L.A. Beat Editor
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Lethbridge Musical Theatre brings Kiss Me Kate to the Yates

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Sometimes life imitates art, sort of. Such is the case of  Lethbridge Musical Theatre’s upcoming production of the musical “Kiss Me Kate,” which takes the stage  at the Yates Theatre, Nov. 5-20. Kiss Me Kate is a reunion of sorts for several New West Theatre veterans who are excited to work with director Jeff Carlson again.Erica Hunt and Scott Carpenter read through their lines. Photo by Richard Amery

“Usually Lethbridge Musical Theatre rehearses  for eight weeks, but I wanted to cut rehearsal time down to four or five weeks. So I called in favours from everyone I know, including my dad, ” said Carlson, whose experience directing  “Kiss Me Kate,” sort of mirrors that of the production’s protagonist, Fred Graham (played by Scott Carpenter). Fred is trying to stage a musical version of William Shakespeare's’ “Taming of the Shrew,”  which is threatened not only by the turmoils of the bitterly divorced leading man and leading lady who are performing opposite of each other as Petruccio and Katherine, but also a pair of gangsters interrupting the production to collect a gambling debt from Lucentio.

“Fred wrote a musical version  of Taming of the Shrew and calls in every favour he can including getting his ex-wife to play Kate. Then he realizes he has feelings for the leading lady who plays Bianca. That’s when the confusion starts,” Carlson described adding the play takes place in the 1950s so there are not only 1959’s costumes, but Shakespeariean costumes as well.


“To add to the insanity,  all hell breaks loose on stage during the production when the gangsters show up to break legs and collect the IOU and end up on stage. And then the leading lady quits,” he continued adding choreographer Vanessa Cowan and  vocal director Darrell Croft have been an invaluable part of pulling this production together.
“They‘ve done an amazing job,” said Carlson who  also had to cope with his election campaign in the midst of everything.

“ The biggest challenge, was at the first rehearsal at the beginning of September, only 50 per cent of the cast showed up, so I called in favours from all of my pals. Erica (Hunt) was already involved and Scott (Carpenter) agreed to do it. Fred Hillyer was a late call. Even my father is involved. He asked if I needed anything  and I said well ...  And now he’s playing Pops, the stage manager. It’s come together well considering we open in 10 days (from the time of the interview),” he continued adding there are 25 people on stage including nine leading roles and a 15 person chorus.


Theatre Xtra bringing “The Good Egg” to stage

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The second Theatre Xtra production of the season is going to be a “good” one, Oct. 28-30 at the Ryan Novak  and Janah Holgate rehearse the Good Egg. Photo by Richard AmeryUniversity of Lethbridge David Spinks Theatre.
Canadian playwright Michael Lewis MacLennan’s  “ The Good Egg,” will take the stage Oct. 28 at 8 p.m.

“It’s a comedy about relationships,” succinctly summarized rookie director  Colleen Trumble.

“It starts off when a mature, successful  couple, Brody and Robin decide they need something to complete their lives. And that something is a child,” she elaborated, adding the play features actors David Adie, Ryan Novak and Janah Holgate.


Playgoers of Lethbridge production of “One For The Pot” is carefully orchestrated chaos

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What happens when you throw a plethora of puns,  a miasma of mistaken identites and misunderstandings,  a large cast and lot of lines, several distinct accents into a pot and mix it together in five weeks? Complete chaos? Not at all, you get Playgoers of Lethbridge’s latest dinner theatre — Ray Cooney and Tony Hilton’s hilarious British farce “One For The Pot,” a dinner theatre taking place at the Sandman Inn this week beginning tonight.


Don Berner, Andrea Vaxvick, Donna Kalau and Josh Hammerstedt rehearse a scene. Photo by Richard Amery

 And even though I’m in the play, albeit for a brief scene, so brief you could miss me if you blink, it afforded me the opportunity to join a handful of audience members at our final dress rehearsal, Monday night and marvel at how well and professionally it has come together in a really short time.


And while there were a few miscues and missed pages of script, which is to be expected at a dress rehearsal, the cast covered them professionally.


The cast has meshed like they have been performing together for five months or more instead of five weeks.

 Especially Chris McCue, who has admirably embraced the challenge of memorizing most of the the play, performing four of the main characters, all with different accents and basically has to appear in three different places simultaneously.

“The biggest challenge is not just knowing the lines, but knowing who I am supposed to be at any particular moment,” said McCue, who was in the Playgoers of Lethbridge production of “The Mousetrap” in February.

“I did the Mousetrap and it was such a great experience, I thought I would give it another shot, but the fact I was playing four characters came as a shock,” he continued, describing his main character Billy as “daft but lovable.”


“He’s a north country man. He’s a little bit daft and can’t add two and two together, but he is such a sweet character,” McCue continued. He also plays Billy’s upper crust twin brother Rupert as well as their devious Irish twin Michael and a surprise at the end.

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