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We Will Rock you is a love letter to rock and roll instead of a Queen tribute

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We Will Rock you: The Queen  musical was many things— a lot of ham, a little cheese and a whole lot of hilarity, but was definitely not a Queen tribute in the traditional sense of the word.The Killer Queen and Khashoggi in We Will Rock You. Photo submitted
 So while some  people  at the Enmax Centre, Jan. 19 were asking “ Who’s playing Freddie Mercury” (answer nobody), it was still a great time. Instead of a tribute, it was a spectacle and a love letter to not only Queen, but the spirit of  rock and roll.
 Plus, it was a chance for local performer Kyle Gruninger to strut his stuff on the big stage in the local “stadium” as the villain Khashoggi, right hand man to the Killer Queen. Gruninger had his own cheering section in the audience, who cheered from the moment his grinning, sun-glassed mug appeared on the big screen at the start of the show and almost drowned him out when he was on stage, towering over the set on a massive steel tower (one of several movable set pieces used for the show), belting out a delightfully inimitable evil cackle.

In a nutshell, We Will Rock You takes place in a not so distant dystopian future, where everything is controlled by Globalsoft, the kids dress like digitized oompa loompas,  everything is computerized so live music and musical instruments have been banned, you’re an outsider if you make your own clothes and “the only star out here” is the Killer Queen.”
Flying in the face of a boring , conformist society, as always, are a group of spunky rebels, this time called the bohemians, lead by the dreamer Galileo Figaro or Gal for short, who somehow dreams of old song lyrics and bands, though he has never heard of any of them, with rock and roll and live music being banned. He meets his love interest Scaramouch while running from  Khashoggi and his troops, who look like a troupe of Robocops, whose job is to crack down on these bohemians.
 On the run they meet another group of bohemians who are looking for a leader and living in the Las Vegas Hard Rock Cafe,  where the scattered remnants of rock and roll culture still remain to capture their imagination. They’ve even named themselves after rock and pop stars, though not what you’d expect—  Britney Spears is a man and Ozzy Osbourne is actually a cute blond girl who almost steals the show, reminding me of a demented P.J. Soles a la the Ramones movie “Rock and Roll High School.”

Though bohemian “Buddy Holly and the Crickets” also sings a lot of highlights.

Along the way, Gal and Scaramouch fall in love and lead the bohemians on a quest to find the “last axe.” During the quest they perform Queen’s biggest hits, drop a lot of band names and song lyrics to to their everyday dialogue and mispronounce things like video cassette for hilarious effect.
 The result is  a spectacle that would do Freddie Mercury proud. And as Queen guitarist Brian May signed off on the production, it’s all right by me. Perhaps as a tribute to May, when they do find the last axe in Graceland, the guitar itself is a copy of Brian May’s renown home build guitar.

 The female characters  the Killer Queen and Scaramouch, are strong, tough and smart, while the male characters are pretty much bird brained idiots, so it makes sense that when they find the guitar, that Scaramouch immediately shreds on it, while Galileo can barely play a chord.

 The live band, who definitely shred throughout the show, are hidden in the rafters, often completely hidden by one of several big moving screens, leaving the cast to run, frolic and mug throughout  without having to trip over  patch chords.
 The Queen classics are present and accounted for including “Killer Queen,” sung, of course, by the Killer Queen, “ I Want it All” and many others.

The songs move the story forward. The Killer Queen signs “I Want It All” as she and Khashoggi try to crush the bohemians. She sings “Another One Bites the Dust” as Khashoggi is killed for failing to do just that.

And “ I Want to Ride my Bicycle,” is performed while the bohemians decide how to get to Nashville from Las Vegas, instead choosing a Harley Davidson, mispronounced as Harleee Daveedson” for comic effect.

Both the Killer Queen and Scaramouch had big, beautiful, soulful voices. Gruninger, playing to his hometown crowd,  showed off a magnificent mid range rather than the high tenor he he usually sings in.
 He stole his scenes as a comedian, but also belting out “Seven Seas of Rhye.” as well as a beautiful duet with the Killer Queen on “It‘s a Kind of Magic.”
 The show ends with most of the cast performing “ We Will Rock You,” but that isn’t it. A big screen beckons “ Do You Want to Hear “Bohemian Rhapsody.””
 Of course everybody  does, so the entire cast returned for Queen’s best known hit, dancing through the audience along with the band.

— By Richard Amery, L.A. Beat editor


Kyle Gruninger enjoying Canada and U.S. tour with We Will Rock You: The Queen Musical

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Touring the United States and Canada with “We Will Rock You: The Queen Musical” has been “A Kind of Magic” for Lethbridge born musician/ actor Kyle Gruninger, who plays the villain Khashoggi .Kyle Gruninger in We Will Rock You. Photo submitted
 We Will Rock You: The Queen musical is at the Enmax Centre, Sunday, Jan.19.
Gruninger is excited about the show.

“ Most of the shows have been sold out. It’s been great. You have little kids who are about 10 -years excited wearing Queen shirts and raising their hands they’re next to their parents who are doing the same thing,” Gruninger enthused from Vancouver.

“ A lot of people really have no idea what to expect. People will ask me  ‘who’s playing Freddie Mercury,” he said, adding that is tough to answer as We Will Rock You isn’t a Queen tribute show.

“ It’s a spectacle with non-stop action and great costumes and choreography. It takes place in a dystopian world, where there is no music. Everything is digital. Everything is owned by Global Soft Corporation. It’s strange and exciting how true it has become because it was originally written in 2003 and there was no iPhone,” he said, adding his character Khashoggi and his boss the Killer Queen fight the Bohemians.

“We Will Rock You tells the story of a globalized future without musical instruments. A handful of rock rebels, the Bohemians, fight against the all-powerful Globalsoft company and its boss, the Killer Queen; they fight for freedom, individuality and the rebirth of the age of rock. Scaramouche and Galileo, two young outsiders, cannot come to terms with the bleak conformist reality. They join the Bohemians and embark on the search to find the unlimited power of freedom, love and Rock,” according to the We Will Rock You: The Queen musical website.

Gruninger has enjoyed seeing a lot of new places.


Plenty of plays and auditions coming up in 2020

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Several big plays are on the horizon.
 Auditions are happening Jan. 14 and 15 at casa for  a new thriller Hatrix will be putting on at McNally School in May.
 Karolyn Harker is excited about Frederick Knott’s  “Wait until Dark, a newly revised play that was first put on in 1966 and turned into a hit 1967 movie starring Audrey Hepburn and Alan Arkin.

 It is about sinister con man  Roat and ex convicts Mike and Carlino who are seeking a mysterious doll, which a strange woman has persuaded a blind woman Susy’s husband to transport across the border into Canada. Jeffrey Hatcher revised the play for Broadway in 2013.

 The men have convinced Susy that her husband Sam Hendrix has been implicated in the mystery woman’s murder and that the doll is evidence. She figures out the charade with her young neighbour’s help. The thriller takes place at McNally school at the end of May. Rehearsals will begin  in January after the play is cast.

Auditions for The Lethbridge Shakespeare Performance Society‘s production of the comedy The Merry Wives of Windsor have also been announced. They will be Jan. 30 at the University of Lethbridge and at Casa, Jan. 31. Callbacks will be  Feb. 1 at Casa. Auditions will be held in groups, so sign up for a time slot at
Prepare a 1-2 minute monologue from any genre and be prepared to move. Playgoers of Lethbridge brings another Broadway hit to the Sterndale Bennett Theatre, Feb. 19-22 with Sean Devine’s drama “Daisy.” Rita Peterson is directing this play about the infamous 1964 election ad which launched the era of negative advertising.


Lots of laughter as New West Celebrate 30 years

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New West Theatre “Celebrates” 30 years with a whole lot of humour in this year’s music-comedy revue— with an emphasis on comedy.

Grahame Renyk and the cast of Celebrate. Photo by Richard Amery
 The talented cast, including long time members and directors Erica Hunt and Scott Carpenter, representing each of the past three decades, delved back through 30 years of scripts and songs to design this show. Hunt, Carpenter and co musical director Kathy Zaborsky represent the ’90s, Jessica Ens and Grahame Renyk represent the 2000s and Katie Fellger and  Rylan Kunkel represent the 2010s.

 As always the cast exude joy and happiness and a strong Up with People vibe through singing and dancing, and as always, the comedy which especially stands out in this one.
 They open with  “ A Little Less Conversation” and things just get funnier.

 There are  nuns, mounties , streakers and cast members  playing old people cracking jokes about their spouses.
 And every cast member gets to  show off their many talents.
 Scott Carpenter pretty much steals this show. Because while he is usually known for comedy, he shows off his exceptional singing voice on several  songs, both solo and as a group.

 They guys all show off their voices on a a capella version of Love Potion #9.

 They all dress in their ’60s best on the Mama and Papas ’ “California Dreaming,” with Carpenter dressed as Mama Cass.
 Rylan Kunkel shows off his saxophone on “Just A Gigolo,” featuring Carpenter doing his best crooner impression. Kunkel also tries his hand on the grand piano for an impressive version of Elton John’s  “Your Song,” though it was a shame is back was to the audience.  Kathy Zaborsky shows off her beautiful operatic voice and piano prowess on grand piano on Chiquita, a duet with co-musical director/ guitarist Scott Mezei.

 Drummer Keenan Pezderic steps out from behind the drums for a couple of comedy bits as well as shows off his baritone in Love potion #9— he usually sings in a falsetto when he plays with his funk/ R and B band Adequate, which also features Scott Mezei.

Jessica Ens  belts out  a couple numbers including “ Holding Out For a Hero,” which adds comedy by featuring superheroes Superman (Scott Carpenter, trying to get out of his Clark Kent clothes and into his Superman tights,” Batman (Grahame Renyk strutting around the stage) and harry Potter (Rylan Kunkel appearing out of a side door by the end of the song. Ens also belts out another Bonnie Tyler classic “Total Eclipse of the Heart.” The country part of the show comes courtesy of Kathy Zaborsky and Rylan Kunkel singing a duet of “Act naturally.” Kunkel also plays the Strek, cracking up both cast members Erica Hunt and Scott Carpenter during a hilarious version of the Ray Stevens classic.
 There are a lot of comedic highlights including Grahame Renyk and Kunkel as the Irish nuns and Scott Carpenter as  the Mountie.

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