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Lethbridge movies starting to take off

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Several local film makers have found their muse in Lethbridge.

One of them, director/writer Gianna Magliocco, who goes by her director’s name, Gianna Isabella, just wrapped up 

shooting on a new 15 minute short to be called “Dilemma,” which is based on a true story about a bar fight which ended fatally in Lethbridge.

 

“It’s about  a girl, Abby, who comes over from England to visit her cousins and accidentally kills a guy outside a bar. That results in her dilemma— should she stay or should she go,” she described, taking a break at Average Joes/ Joe’s Garage where her crew were shooting the nightclub scene, over the Labour Day long weekend while  a couple dozen volunteer extras chow down on free pizza and beer.

 

“It’s based on a real event iDilemma director Gianna Isabella discusses a scene with her crew on set. Photo by Richard Ameryn Lethbridge about eight or nine years ago. I read an article about a guy who was punched once and hit the ground and died. So I thought I’d write a back story about it,” related the University of Lethbridge new media graduate. She wrote the story back in February, but not the script for the production. Her group has been working on the film since June and expect it to be released by October.

 

“It’s gone really  well. You expect a certain amount of things to go wrong,” she said adding some lights fell during the murder scene, the Saturday night before.

 

“And It’s difficult to deal with a film on little or no budget,” she said adding her brother, local realtor Riccardo Magliocco, fronted her most of the $2,200 budget to make the film, plus they held two fundraisers and corporate sponsorship kept the extras in pizza and beer.

Actors film a scene in Dilemma. Photo by Richard Amery

They plan to release the film online and plans are in the works to submit it to film festivals. They have already submitted it to the Sundance Film Festival in Park City Utah, which takes place Jan. 20-30 next year.

 

“I’ve enjoyed everything. Being able to be around a bunch of  great people who are committed to reaching a common goal,” she continued.

“We are trying to make a name for ourselves and want to make a few more films in Lethbridge,” she said.


Hoodoo Voodoo, a full length action film  filmed by a group of local film-makers using Lethbridge cast and crew in the community of East Coulee, near Drumheller mostly last summer, premieres this week at the University of Lethbridge beginning, Sept. 23.

 

“It started out as an action film, but we don’t have a Hollywood budget, so it ended up  a little more Evil Dead than Die Hard,” said director Aaron Kurmey, who spent two years of his life, all of his life savings and a $10,000 Alberta Foundation for the Arts grant to make his first full-length action film with  co-director/writer and star Ryan Hatt and writer Kevin Johnson.

 

“It was a $30,000 budget, which is a lot to us, but nothing to Hollywood. They pay that much just for their food budget,” he said adding he is looking forward to seeing how audiences react to the film.

“I didn’t think we’d get grant money for it  because it isn’t what you usually think of as ‘art’ in the traditional sense,” Kurmey said.

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Pauly Shore has Lethbridge audience in an uproar

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Las Angeles comedian Pauly Shore had a full house at Average Joes howling through his set of “pornedy” — a term a just I
Pauly Shore entertains full Average Joes. Photo by Richard Amery made up to describe a set filled with sexual explicit, graphic and hilarious jokes about sex and sex acts which were definitely not meant for the prudish, oversensitive or otherwise closed minded audience.
 But before Shore came on stage to the tune of rock and roll blasting through the speakers, he let some of his other “Jewish comedian friends” shine.
 
 National Lampoon writer and Mad TV star and  “the result of John Belushi and Jack  Black getting together and having a fucked up baby (his joke, not mine) Sandy Danto started first with a  strong set of comedy  mostly  related to weed, laziness, sweatpants and his own personal weight issues, illustrated by him baring his bare belly to the crowd.
He joked  all of his family are doctors, so he fell a long way from the family tree.
 
 But he couldn’t resist doing his own impersonation of Pauly Shore while telling the story of how he came to be opening for Shore, drunk at an airport bar and showing him his “Chris Farley as a phone sex line operator” impersonation.
 
Pauly Shore came on stage to rousing cheers and announced he wanted to run for mayor of Lethbridge. He spoke about his popular ’90s movies did a couple of the more popular lines, did his “weasle”, which reappeared throughout the set, then joked “taking a 15 year hiatus from movies was long enough.” 
 
After a long set of jokes about being in the clubs and  hooking up with girls, he wondered aloud where he lost the crowd though he had a crowd of girls in the front row howling throughout. He observed the many camera flashes going off and said he was surprised when people ask him if it is all right to take his picture.
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Max and Ruby take the stage at the Yates

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 Popular children’s television show Max and Ruby comes to life at the Yates Centre for two shows, Sept. 20.

 The popular animated rabbit siblings will be visiting Lethbridge for two fun and music filled live action shows — Max And Ruby: Bunny Party at 3:30 p.m. and 6:30 p.m.

Norman Foote.

 

“I wrote all of the music for it. I’m very proud of it,” said Juno Award winning children’s musician Norman Foote, who isn’t involved with the actual TV show, but who has a long history of  writing music for children including composing the music for numerous children’s TV  shows on CBC and for Disney, plus the theme for the Backyardigans and music for the Extra-ordinary Alien. He also wrote a dozen songs for Maurice Sendak’s Little Bear: Winter Tails.

 

“Max and Ruby is  very popular children’s show. They are a brother and sister and Ruby is the eldest. She is very domineering, so the plot of this show surrounds a birthday party and who to invite to it,” he described, adding the show features six or seven actors and costumes and a lot of energy plus a lot of singing. 

 

“It was hard to make this work for a live audience. It’s such a popular TV show and it’s based on really popular books so people really identify with the characters in it,” he continued adding  direct consultation with producer Patti Caplette kept the live show as close to the TV show as possible.

 

He didn’t know a lot about the TV show before he was hired to write the music for the production .

“I have a seven -year-old son and he knew more about it than I did. He was so excited when I got the job in April,” he said adding  after watching the show with his son, he began to appreciate the quality of the writing, which he tried to reflect in his songs.

 

“They’ve really defined the relationship between the sister and brother and that’s a key part of the show. A lot of the writing is amazing. They throw a lot of  different things into the stew,” he enthused.

“I wanted the songs to appeal to parents too. I wanted them to work on many different levels,” he said adding he writes songs for children the same way as he writes for other markets as the songs still feature the same structural building blocks including verses, choruses, riffs and hooks. 

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Auditions this week for Playgoers of Lethbridge’s British farce “One for The Pot”

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Playgoers of Lethbridge is looking for a few good men and women for their next British farce to Elaine Jagielski directs “One For The Pot,” which runs in October. Photo by Richard Ameryrun in October.


The longstanding local theatre group is holding auditions this week for their October production of  Ray Cooney and Tony Hilton’s “One for The Pot,” which is scheduled to run at the Sandman Inn, Oct. 19-22.


 Auditions are Sept. 7-8 at the Bowman Arts Centre from 7-9 p.m.
 A cast of six men and three women are needed.
“It ( One for The  Pot) ran for 1,200 performances at the White Hall Theatre from 1961-64,” observed Playgoers  of Lethbridge president Ed Bayly.


“One For the Pot,” originally performed in 1959, is a farce set in the 1920’s  about a gormless Yorkshireman, Billy Hickory Wood, a wealthy northern mill owner who is looking for a beneficiary of a 10,000 pound inheritance. The only caveat is  they must be the only living relative. After Hickory Wood puts an ad in the newspaper, Billy Hickory Wood  is the first to arrive, followed by numerous others.

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