Time: 9:30 p.m.
Cover: 7 p.m.
http://www.myspace.com/thelibraryvoices or www.libraryvoices.com
Library Voices is a eight piece pop collective from Regina,
Saskatchewan including Michael Dawson :: Paul Gutheil :: Eoin Hickey-Cameron :: Carl Johnson
:: Karla Miller :: Brennan Ross :: Amanda Scandrett :: Michael Thievin
:: Sound = Ryan Drabble. Blending tremolo soaked guitars with analog synths,
vintage organs, circuit bent electronics, accordion, saxophone,
strings, theremin, Tenori-on, and glockenspiel, their songs play out
like an AM radio jingle; mixing the best of the 60’s, 70’s, 80’s, and
today.
Since forming in spring of 2008, the group has operated
at a feverish pace. They’ve been heralded by SPIN as an “undiscovered
band you need to hear now”. They have been featured in The New Yorker.
They have shared the stage with Stars, Chad Vangaalen, Plants &
Animals, and Blitzen Trapper. They have performed at Sled Island,
Regina Folk Festival, WCMA, CMW, and Ness Creek. They’ve received
generous airplay on the CBC and BBC, reaching 3 on the Radio 3 charts
and breaking the top 30 on Canadian campus radio. They also won a Radio
3 Bucky award, have been mugged twice, and had their van robbed once.
Library
Voices debut EP. Hunting Ghosts & Other Collected Shorts, offers a
clear and concise introduction to the collective. The groups song
writing objectives are evident, bridging sophisticated pop hooks and
melodies with complex harmonies and anthemic sing along choruses.
Lyrically the album strays from bubblegum, addressing late night
escapades, panic attacks, and the construct of home. The record is also
laced with pop culture references, including nods to Tom Waits and Evan
Dando, as well as contemporary literature notables Paulo Coehlo, Franz
Kafka, Milan Kundera, Nick Flynn, and the late Kurt Vonnegut. Hunting
Ghosts & Other Collected Shorts was produced by Library Voices and
Orion Paradis at SoulSoundStudios in Regina. The studio was constructed
in a century old structure that once a Jewish funeral home. The control
both had served as the room where bodies were prepared. An inscription
still rests above the entrance that translates to “house of truth and
loving kindness.”