Victoria’s Maurice played a tight set of Cure influenced original upbeat pop rock, which was almost note for note like their brand new CD ‘Young People With Faces.’ There were excellent vocal melodies 
reminiscent of April Wine’s Myles Goodwin and some catchy piano playing a swell as excellent bass playing. Also on the bill was Victoria’s ‘Armchair Cynics’ who had a more of a reggae feel to their upbeat guitar pop. Their bassist wandered through the crowd, up the stairs while playing then back down onto the stage again.
— by Richard Amery, L.A. Beat editor
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