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Wild T and the Spirit jam on into the night

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Another show worth staying up late for was the return of Wild T and the Spirit, who returned to the Slice  March 13. Paul Kype and Greg Wild T howling the blues. Photo by Richard AmeryGomola started late with an acoustic set for about 35 people. Wild T  aka Toney Springer and his band, bassist Guenther Kapelle and drummer Murad  Gunduz didn’t waste any time pulling out all the licks, getting up on stage and tearing into “Freedom Train,” then jamming  for two  and a half solid  hours, closing things off at close to  1 a.m. with one of his big hits ”Midnight Blue,”  before being called back for an encore of  a few solo bars of “I’ve Got the Rhythm, ” and a scorching Hendrix style version of “O Canada.”


Wild T proved himself to be master of the Stratocaster tearing up plenty of mind-boggling guitar licks, psychedelic solos and lots of groovy,  funky bass and solid rhythm.


 While hits like “Loveland,” were notably absent from the set list, they played a variety of covers including several huge jams on Jimi Hendrix’s “All Along The Watchtower,” Hey Joe,” as well as some James Brown.

There was also an excellent array of  songs from throughout his 20-odd year career including a hilarious version of “Telephone Freak,” during which he did a shot while playing some of his solo,  and Yvonne,” which I’d never heard before plus newer material like “Life Goes On” and a beautifully soulful version of “I’ll Play the Blues For You,” both from the latest CD “Fender Bender.”


I especially enjoyed one of his songs early in the set called “Boogie man,” which was followed by an extended version of “All Along The Watchtower,” which he dedicated to the hippies in the audience.


He was called back for another encore of the blues rocker “Mean Mama,” before calling it a night.

— By Richard Amery, L.A. Beat Editor

 

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Last Updated ( Wednesday, 16 March 2011 16:05 )
 

First annual Prairie Folk Tournament a success

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I arrived in the middle of an exciting and impressive set by Oh My Darling  for the first annual Prairie Folk tournament which got off to a Oh My Darling doing a  neat trick called fiddlesticks. Photo by Richard Amerygreat start, Friday, March 11 with a sold out crowd of enthusiastic music fans.

They played a sizzling bluegrass version of  Tina Turner’s “What’s Love Got To Do With It,”  and were surprised to get a request for “Caught You Looking” off their latest CD “In The Lonesome Hours”.

George Arsene of the Skilletlikkers. Photo by Richard AmeryThey played it with glee. The girls,  bassist Marie Josee Dandeneau, banjo player Allison De Groot, fiddler Rosalyn Dennett and guitarist/ lead singer Vanessa Kuzina, showed mad skill on their instruments as  well as impressive vocal harmonies.


 One of my favourite tricks was called fiddlesticks,” where  Kuzina put down her guitar and picked up a pair of sticks to hit Dennett’s fiddle strings, while she played, all without hitting the same strings.


I missed a couple excellent shows on Saturday, but wanted to support the second day of the Prairie Folk Tournament.

To borrow a phrase from performer Sean Brewer, it was a great night of prairie themed  roots/ country “plains-billy” misc. The turnout wasn’t as great  for the second day, though people started pouring in after touring all of the art gallery openings, Saturday.

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Rumrunner rocks late show at Cudos

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Rumrunner at Cudos. Photo by Richard AmeryI stopped by Cudos Lounge to see a full house for Audio/Rocketry as well as Calgary punk band Rumrunner. They were in the middle of major technical issues, but the crowd was pretty patient.

Audio/Rocketry played an upbeat set of original folk rock music which had the crowd hopping.


 Because of the technical difficulties, Rumrunner didn’t start until past midnight.

The lead singer called the show a “litmus test” for punk shows in Lethbridge and asked the crowd to  show some respect for each other and the facility so there could be more.


 Despite the technical difficulties, they sounded great. They had a lot of up beat, Celtic tinged energy and had the crowd moving almost immediately.

— By Richard Amery, L.A. Beat Editor
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Last Updated ( Wednesday, 16 March 2011 12:18 )
 

Penny Fortune wins Band Wars The Revenge

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Penny Fortune won Band Wars 2. Photo by Richard AmeryBand Wars 2 the Revenge returned to the Lethbridge College Barn for another sold out crowd.


 While I couldn’t stay for the whole thing, I was there for rap duo Penny Fortune’Lock N’ Load. Photo by Richard Amerys set which won this event. They placed second in the last band wars in January.

But people responded to their blend of rap and hip hop with live keyboards and guitar. They exhibited catchy vocal melodies, some funky guitar chops and entertaining keyboards.


 I also missed a set by the revamped local rock/ metal band Eyes of Isis, which earned them second place.


Though I missed Caste of Shadows and Enceladus who made an impression during their January Band Wars appearance, as well as James Clare and a slightly tweaked DeadVoice, I caught impressive and loud sets by Chief Mountain and the Living Luca as well as death metal from Decimate the Silence.

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Last Updated ( Wednesday, 16 March 2011 12:08 ) Read more...
 

Mahones get St. Patrick’s Day celebrations started early

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Finny and Katie McConnell rock it with the Mahones. Photo by Richard AmeryOne of my other favourite bands, the Mahones, blew black into Lethbridge, March 9,  with a rollicking set of upbeat Celtic -punk getting people into the St. Patrick’s Day spirit a week early at the Slice.


They “took no prisoners” during their incendiary set of high energy songs mostly about drinking whiskey, including crowd favourites like  “Drunken Night in Dublin,”“ Down the Boozer,”  “Whiskey Devils,”  and a new song from their latest CD “Black Irish” outlining the Mahones’ 20 year history “Ghost of A Whiskey Devils.” As well they played one of my favourites from “Take No Prisoners,” called “Nancy Whiskey.”


Frontman Finny McConnell beamed and bounced all over the stage, playing Who meets Ramones  style guitar riffs, slowed things just a bit, to dedicate another new song “Girl With The Galway Eyes,” to his wife Katie, who weaved and writhed all over the stage tearing it up on the accordion, squeezing a wide  variety of sounds from her instrument.

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