It’s a happy coincidence that within a few weeks of each other, there was a big fundraiser to help save the remaining buildings in Lethbridge’s Chinatown and The Galt Museum opened an exhibit exploring the art of China.
“It’s a combination of a traveling exhibit from the Royal Ontario Museum and a few objects from our own Galt Museum collection,” said curator Wendy Aitkens.
The exhibit includes intricately carved furniture from the Galt Museum Collection and bronze, jade and ceramics , some of them dating back to 11,000 B.C..
“ But we talk about the symbolism and what skills were used to create the pieces,” Aitkens continued.
“Some of them (the symbols) offered protection or a healthy life or many babies,” she said adding she was interested in where these pieces originate and especially some of the pottery an the skills used to create it.
“I‘ve made pottery for 25 years,” she said adding the exhibit’s examination of pottery techniques intrigued her.
There are selections of earthenware, created in a low fire as well as porcelain developed in high fire.
“They kept that secret until the 1700s,” she described.
“Bronze is very hard and strong. But they had a technique for bronze casting where they could create very intricate and complex pieces,” she said.
“Some of these pieces are very old, from 11,000-13,000 B.C, but they are very durable so they can be part of the Royal Ontario Museum’s traveling exhibit. So that shows their durability,” she said.
The Galt Museum pieces chosen include gifts made brought over to mayor Carpenter in the 1990s from Lethbridge’s sister city in China including a tapestry.
Plus there is furniture donated by local Chinese families.
And as a nod to Lethbridge’s Chinatown, there are three bowls rescued from the Chinese National Building before it was closed and torn down after being damaged by wind last summer.
There are also school books used in the ’50s and ’60s to teach Chinese children about their culture and language during special Saturday classes.
“They are very fragile, but they are wonderful,” Aitkens gushed.