Time: 9:30 p.m.

Cover: $5

Phantom Creeps http://www.myspace.com/tpcthephantomcreeps  or http://www.phantomcreeps.com/home.cfm

The Phantom Creeps are just three guys hell-bent on wreaking havoc on the Psychobilly/Rockabilly world. Blending Rockabilly, Punk, Country, Psychobilly and good ole' fashioned Rock into their own brand of Hellbilly Rock and Roll, they have established themselves as a band to be reckoned with! Only a year and a half into existence the Creeps have been very busy - finishing off their debut album in the summer of 2009, playing non-stop and promoting themselves tirelessly. The Creeps have garnered much attention in the Psychobilly & Punk scene by sharing the stage with such heavyweights as The Guana Batz, The Brains, Big John Bates, The Deadcats, The Raygun Cowboys and numerous other bands. Indie radio play is coming fast and furious with stations from Canada, U.S., The U.K. and Australia all getting on board. Tight, energetic live performances and great album reviews such as a recent one in Absolute Underground magazine are only fuelling the fire.
2011 is shaping up to be the year of the Creep! Come on in and ride with us down Route 666!!!!!!


The Phantom Creeps are:

Tyler 'Diablo' Brownfield - Vox & Upright Bass

'Dirti' Dean Wilson - Drums & Backing Vox

Johnny 'Void' Vornbrock - Guitar & Backing Vox

Hellbound Hepcats http://www.hellboundhepcats.com/ or http://www.myspace.com/hellboundhepcats

The Hellbound Hepcats are bringing back the sound of the 1950's with an aggressive, big-beat twist-seamlessly fusing elements of Johnny Burnette, Chuck Berry and Brian Setzer with the pure energy of rockabilly. These hardworking rock'n'rollers combine the rawness and passion of the Sun Studio sessions with a harder, faster, more hip-shaking rhythm that is all their own. The Hellbound Hepcats' music reflects the rebellious spirit of early rock n' roll without imitating it. Their originality adds a much-needed new spin to the current rockabilly scene.


The band started out in 2006 as a straight-up rockabilly/country duo, consisting of front man Alexander Brown and standup-bass player Jordan Peddie. Heavily influenced by Montreal's ever-growing rockabilly scene, they soon became masters of their craft-playing in clubs and bars in and around Montreal. In 2007 the addition of drummer Sylvain Lemire rounded out the equation bringing in the pulsing rhythm section that has made the Hepcats the band they are today.


The trio hit the road running, touring relentlessly at venues large and small….everywhere from the Toronto Convention Center to The Cadillac Lounge to just about every watering-hole, tavern and show-bar across Canada. They've shared stages with The Brains, The Creepshow, Gunsmoke, Bloodshot Bill and many others. All in all, The Hellbound Hepcats have played more than 500 gigs in the last 2 years. You name it, The Hellbound Hepcats have played it.


In 2009, The Hellbound Hepcats recorded and produced their first full-length in Montreal. The collection was recorded “off the floor” to capture the original feeling, intensity and rhythm that characterizes authentic rockabilly, as well as to record the spontanaety and musicianship of their live performance. Their self-titled debut album caught the ear of Stomp Records, who immediately signed the band point blank. The Hellbound Hepcats will be hitting the road this summer in support of their self-titled debut including appearances on the Montreal Jazz Fest, Vans Warped Tour, Hotrod Hootenany as well as festival and club shows across the nation.


The 13 track self-titled rockabilly album is a homage to the spirit of rebellion that gave birth to the rock n' roll of the 1950's. The album was recorded at Moonbabe Studio with engineer/producer Tean Schultz. All the songs were written over a a four year span by lead-singer and guitarist Alexander Brown and stand-up bassist Jordan Peddie. From heart-throbbing ballads like “She's The Reason Why” to beat-bopping dance tunes like “Gimme More” and “Brand New Forty-Five”, the sound and themes of the songs are diverse. From the arrogance of “How Many Girls” to the tenderness of “She's The Reason Why”, the album draws inspiration from the never-ending battle between love and lust.