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New West celebrates the ’60s in Bandstand

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New West Theatre is embracing the ’60s in their new production “Bandstand,” which is a nod to the variety shows of the 1960s.
 Director Jay Whitehead has enjoyed working with the cast and crew to represent the decade as accurately as possible.

 

The cast of Bandstand ends a scene. Photo by Richard Amery
“The first thing we noticed about the ’60s is just how diverse the musical genres were,” he said.


“So we start with traditional ’50s classic pop rock, then the British Invasion, then folk hymns of the love generation. There is also a little bit of psychedelic rock and roll,” he said, adding they have tried to touch on all of the iconic songs of the ’60s.


“We wanted to represent all sides of the swinging ’60s,” he said.


“The biggest challenge was finding a sense of cohesion and representing the decade truthfully,” he said adding he wanted to capture the essence of the era’s freedom of expression.


“Bandstand” not only examines  all the eras of ’60s music, but  the quirky comedy of it too.
“It’s the music,” enthused New West Theatre veteran Erica Hunt of her favourite part of the show.
“Last summer we did the ’50s. This year it is the ’60s. And the the ’60s were so influential,” she said
“So there is late ’50s style pop and rock and roll, the British Invasion, the peace protests, hippies and there’s even some psychedelia and some Motown,” Hunt continued.

 She is enjoying the show’s concept, which incorporates a stage set up like the set of the old Laugh-In variety show.
“It’s a big tribute to the variety shows of the ’60s which were so popular in that era,” she said.


“ But the music is incredible. You’ll find something for everyone,” she said praising the cast and crew for their work.
“The people are terrific. It’s going to give people that nostalgic feeling,” she enthused.

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Empress Theatre celebrates centennial with “ the Stage That Made Me’

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The Empress Theatre in Fort Macleod celebrates its centennial this Canada Day, kicking off a busy summer of live drama.Erin Bourke-Henderson, Rob Hughes, Brian Quinn and Fred Hillyer rehearse  The Stage That Made Me. Photo by Richard Amery


“ June 29 is the anniversary of  the day  the theatre just opened 100 years ago,” said Empress Theatre Summer program co-ordinator Andy Jenkins.
They will be having a massive gala event on June 29 featuring their two summer productions — The Stage that Made Us” — an original play written by Ron Chambers examining the Empress Theatre’s storied history in all of the different productions the theatre has been home to from wrestling matches to a plethora of onstage productions. It runs June 29-July 21 every Wednesday, Friday and Saturday at 7 p.m., with a special Canada Day performance at 7 p.m. as well.


“We‘ve commissioned three pieces of art for it,” he continued adding Peter J Scott’s new book about the Empress called ”The Reign of the Empress,” will be released, John Wort Hannam will be performing his new song he wrote about the Empress at 7 p.m..
Lethbridge actors Fred Hillyer, who has starred in a few productions with New West Theatre, and Brian Quinn who is woking on Hatrix Theatre’s October production of Evil Dead the Musical, is enjoying exploring part of Southern Alberta’s history by being  part of “ The Stage That Made Us.”
“ It explores the past 100 years of theatre from vaudeville to talking pictures to even wrestling matches,” said Quinn, after performing a portion of the show involving setting up a wrestling match in the theatre.


“It’s a means to educate people about theatre in Southern Alberta. I think it will surprise a lot of people,” he continued.
“ It was in the centre of town and people gather to be part of  the community,” he added.
“Fort Macleod should be proud to have  a place like it because there aren’t many left. The fact it has always supported cultural activities is pretty admirable,” Quinn continued.


 Director Estelle Shook is excited to  bring this production to the stage.
“It’s been great. It’s been a lot of fun exploring all of the different styles of theatre they have had here. It’s been song, dance, vaudeville. It has been a real spectacle,” she continued.

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A few good cowboys needed for Fort Whoop-Up video shoot

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Lethbridge improv troupe Drama Nutz and Fort Whoop-Up are looking for a few good cowboys for a series of five historical vignettes to be shot this summer as a way to take advantage of viral marketing. Auditions are Friday, June 22 from 1-5 p.m.at Fort Whoop-Up.David Gabert and Jon MacBurnie in Seige at Fort Whoop-Up in summer 2010. Photo by


 They are looking for 14 male actors between the age of  25-40 and four mature actors from age 40-60 to be involved with five vignettes about the coming of the Northwest Mounted Police; a shooting at the Fort Whoop-Up Saloon;  Blackfoot Trading at Fort Whoop-Up, Alberta’s first murder trial— the shooting of David Akers and the arrival of the Spitzee Calvary and their attack on the fort. They are also looking for a narrator for the vignettes.


“It’s an idea that we‘ve been kicking around for a while,” said David Gabert,  Fort Whoop-Up Senior Site host and Drama Nutz artistic director.


The vignettes will be directed by University of Lethbridge actor  and Fort Whoop-up Summer staff member Greg Wilson.


“We were fortunate in our summer hiring to have an individual who knows about video editing and directing,” Gabert said.


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Local movie to strike “A Common Chord with” with fathers

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A Lethbridge produced movie about a battle between a father and grandfather is sure to strike a ‘common chord’ with a lot of people.
 There is nary a zombie or murderer to be found in the locally produced and written feature film, “A Common Chord,”  according to director Deric Olsen. That makes it stand out from a lot of independent films being shot in Lethbridge.Deric Olsen kneels beside some of the items to be auctioned off to raise money for “a Common Chord,” including a guitar  autographed by Paul McCartney. Photo by Richard Amery
The film shoots May 28-June 28 all around the city.


“ We have so much talent here, It’s about time we had something like this,” said Pete Seadon, who plays the grandfather Bill Alston. He has been in a variety of movies and TV series including Brokeback Mountain and Heartland. He has also appeared in the Matthew Perry movie “The Ron Clark Story” as well as “Boot Camp” which features Mila Kunis.


 Instead, it is a family drama about a young guitar prodigy who discovers how to be the father he never was to his young daughter, while butting he heads with his deceased girlfriend’s father as to how to do it.
“ The movie begins at my daughter’s funeral. She dies when the little girl (Teigan) is about eight years old and her father comes back to get involved in her life,” Seadon said.


“I was going to adopt  the kid (Kyle) who is a foster child, but he impregnates my daughter, so he has to leave,” Seadon explained.

That is where the action begins.
“But it’s a family movie. There’s no explosions or special effects. It’s about the characters and the story. It’s all about the story,” he continued.


“It’s very heartfelt. It’s a story that everyone can relate to. I just fell in love with the script and agreed to play the part,” he said adding Deric Olsen contacted him about it, having worked with Seadon on previous projects.

The full-length movie, written by Trevor Carroll and produced by George Gallant and directed by Deric Olsen, is about Kyle, a former foster child and talented guitarist, who must become the father he’s never been to his daughter Teigan ( played by Ashlin Malik) when her mother dies. Teigan’s grandfather, Bill, wants Kyle to be completely removed from her life. The pain and resentment these two men feel for each other blinds them to the love they share for the little girl who connects them. As they both struggle to win the approval of the young social worker assigned to Teigan’s case, their unwillingness to reconcile threatens to tear her away from both of them, forever. Their journey becomes an odyssey of redemption, forgiveness and commitment as they discover what is most important in their lives.


“It is very well written,” Seadon enthused.
“It is a very tender film. It is going to affect a lot of guys,” Seadon continued.
“He’s very set in his ways. He thinks things were better in the ’50s, ’60s and 70s then they are now,” Seadon said of his character. Seadon has a son about to graduate from medical school, so the theme of the film resonates with him.
“I don’t know what I’d do if a woman who hadn’t been in my son’s life for years, came back and tried to take him from me,” he said.


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CinéImagine presents French film festival for the community

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CineImagine presents their tenth annual French Film Festival, June 1-3 at the Movie Mill and the Cité Des Prairies (2104, 6 Avenue South).
 For the first time the festival will take place in Lethbridge.
The festival was in Medicine Hat last year and in Fort Macleod before that.


“We had a lot of the community asking for it to be in Lethbridge and the entire board is from Lethbridge,” said Marie-Helene Lyle, Directrice générale, Société cInéMAGINE de l'Alberta.
“It is a festival to promote francophonie culture,” she said.


“ These are the best French films of the past year,” she added, noting there are a lot of films from Quebec, as expected, one from France, one from several different countries and even a French film from Ontario.


“ Our festival is also about increasing visibility and awareness of independent French film production,” she continued.

A panel of community members chose the 10 best French films from all over the world over the past few years to be screened at  both the Cite des la Prairies and the Movie Mill.


“We invited the community to an evening of screening movie trailers,” she said adding the board narrowed down 50 movies to a shortlist of 30 and asked the audience of about 35 people to choose their favourite 10.


“We wanted the community to be involved in an event we’re creating for the community,” she said.

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