Time: 9 p.m.
Cover:$25

TWIZTID - ABOMBINATIONZ TOUR 2013
with BLAZE YA DEAD HOMIE & AQUALEO

+ SIN-SANE / F-BOMB / PYKE / DJ FUZE

SEPTEMBER 21
LIVE at STUDIO NIGHTCLUB
202 5TH ST. S
9:00PM
18+ NO MINORS

ADVANCE TICKETS - $25
ON SALE NOW!
AVAILABLE at STUDIO & ALL GAS KING LOCATIONS
BUY ONLINE at WWW.TICKETWEB.CA
JUST CLICK DIRECT LINK ----> http://www.ticketweb.ca/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=3713304


DO NOT MISS THIS PEOPLE!! TOOK 14 YEARS FOR TWIZTID TO COME TO CANADA! FIRST TIME TO LETHBRIDGE EVER! GONNA BE SICK!!
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 Twiztid http://twiztid.com/news/

 Theatrical, outrageous, and wildly inventive, Twiztid's infectious blend of hip-hop has been stalking the hip-hop scene for years. Now after lurking in the shadows, Twiztid are ready to strike again with the release of their new record, "A New Nightmare." Unapologetic, and lyrically ferocious, Twiztid are out to prove to hip-hop fans everywhere that their terrifying brand of dark, sinister hip-hop is sharper than a razor blade.

Twiztid is the maniacal duo of Jamie Madrox and Monoxide, and they have been carving their way through the underground with lethal force since the release of their now classic debut album, "Mostasteless". Throughout their career Twiztid have been conquering and pillaging the scene with each and every release. They've grace the cover of Alternative Press Magazine, were awarded "Album Cover of the Week" by VH1.com, been invited to perform on  G4 TV's "Freestyle 101", collaborated with hip-hop legends Three 6 Mafia on their multi platinum album "When the Smoke Clears", and appeared on the soundtrack of, the "Backyard Wrestling" Playstation Game. The duo's hustle cannot be contained to simply music, as they added acting to their resume when they starred in the platinum selling DVD comedy movie "Big Money Hustlas" and the 2012 sequel "Big Money Rustlas", which was played extensively on Showtime. In January 2013, Twiztid landed a role in the USA Network pilot for the TV show "Over/Under".

Most recently, Twiztid hit the Billboard Top 200 at #18 with their latest studio effort "Abominationz". The album unleashed a beastly display of lyrical prowess as they created the soundtrack to listeners most intense nightmares. The demented duo were rewarded when the album peaked as the #4 independent album in the country and the second highest selling hip-hop release on the Billboard charts. The album proved that even though they've been in the game for over a decade, Twiztid are still one of the most powerful forces in the underground hip-hop scene today.

With "Abominationz" taking Twiztid to new heights, the group simply refuse to rest in their quest for global domination. They immediately took their theatrical freak show out onto the road for a sold out tour, performing for their rabid fans across the country.

The "Abominationz" tour ignited a creative fire in the group, as they headed back into the studio to record their very first independent release as a thank you to their dedicated fanbase for their unwavering support throughout the years.

Now invigorated with a new found sense of creative freedom, Twiztid are already planning their very first Canadian headlining tour, as well as the third leg of their "Abominationz" tour across the United States, complete with a performance at Rob Zombie's Great American Nightmare festival in October. The demented duo are constantly on the grind working on new music, a podcast, in the development to star in their own movie. In 2013 and beyond, Twiztid are ready tie you up, toss you into the trunk and take somewhere you've never been before. The scariest part is when you don't want to come back...

Blaze Ya Dead Homie

http://www.thedeadmanblaze.com/

An Intro To Blaze:
The streets ain’t easy. Fear can crawl in no matter what your skin color or your zip code is. The sound of gunshots outside your home will get you, change you, compel you. It makes you want to scream, it helps you find a voice. It’s the kind of life you must embrace or forsake. This is where Blaze comes in.
There are many chapters to his career, and all you have to do is choose one to find out what makes him the only Blaze who matters

Meet Blaze:

Hip-hop is the voice of a unique people, and Blaze is distinct within hip-hop. He’s got the skills and the sound to rep with the best, and an individual voice to match his image. Here’s a guy who watches horror flicks, and finds himself rooting for the lunatics. As a kid reading comics, he wanted the villains to win. It’s the frustrated character of the streets, given form in the character of Blaze. But he’s never one-dimensional, it’s his very ruthlessness that keeps him from holding back.
He’s not just a gangster, he’s not just a persona, he’s a real guy who’s been driven to these things, a perceptive, sensitive individual who chooses to wear facepaint and rap the Wicked Shit. He’s not afraid to tell you why he does it, and how he got there. The best way to discover Blaze is through his music, but here’s the story as we know it:


In The Beginning:

Blaze started rapping when he was just 17. He was still in high school, and still a young punk known as Chris Rouleau, when he started spittin’ rhymes for his friends. Before long he was jumpin’ in and puttin’ it down at local shows in the streets of “Clemtown” on Detroit’s East Side, where his skills and style earned him a reputation.
Chris grew up on the typical Detroit Rock City bands: KISS, Black Sabbath, Iron Maiden, even Journey and J. Geils, but he was also drawn to the rap acts he would come to emulate: Slick Rick, LL Cool J, Run DMC, and particularly the thug styling of NWA and Ice-T. He was driven to be involved with the music he loved, and started rapping locally as “Sandman.”
His first big show was at the Ritz in Roseville, where he opened for the House of Krazees, alongside his friend Jaime Lowery. Ironically, House of Krazees would go on to become his future label-mates Twiztid, and Jaime would become ABK, Blaze’s future partner in Drive-By. He struck up a friendship with those guys, which he maintains to this day.
During this time he tried many partnerships and joined several groups, including one known as Sleepwalkers. The Sleepwalkers album was produced by The R.O.C.(of House of Krazees), and was one of many that never came out or never made it (though Chris remembers a kid named Eminem hanging around the studio, learning a thing or two). Chris was ready to give up rapping, when his old friends told him they were joining a label called Psychopathic Records, and encouraged him to come along…

Thug Back From The Dead:
Chris started off at Psychopathic as a road dog. He clocked in just like every other employee, and helped out around the office and on the road. He headed street teams while promoting the Insane Clown Posse album “The Amazing Jeckel Brothers.” He was alongside ICP with the road crew for their devastating performance at Woodstock ’99. The next year he helped his old House of Krazees homies, now known as Twiztid, push their “Freek Show” album. Twiztid had him guest star on their “Mostasteless” album, and he would occasionally jump in as a hype man and help out on stage. The word began to spread around Psychopathic that the guy could rap.
Violent J of ICP took notice, and soon Chris was asked to join the Psychopathic Rydas supergroup as “Cell Block.” The Rydas were a hit among fans of Psychopathic Records, or “Juggalos,” and soon Chris was offered a chance to record his own album. Together with Violent J, Chris came up with the name “Blaze Ya Dead Homie,” and recorded a self-titled solo EP. After his previous bad luck recording albums, Chris put all he could into this first release with Psychopathic Records. He drew on all his experiences to that point and focused them into the Blaze persona: a gang-banger killed in a drive-by shooting and mysteriously resurrected from the dead.
As Blaze Ya Dead Homie he could express a love of the supernatural, alongside his history with the ‘hood and affinity for gangster rap. It also echoed his “return from the dead” after giving up rapping and working on the road. The resulting blend of theatrics and gritty realism was what Blaze considers his most “real” album. Blaze was born, and he fit in tight with the roster at Psychopathic Records.